Original cinematic surface works by a veteran paint effects artist from BLADE RUNNER 2049, STAR WARS, AND PROMETHEUS.
Each piece is a private commission—built one at a time, for one collector at a time.
For direct studio inquiries, contact: [email protected]
THE WORK BEHIND THE WORK
When you watch a blockbuster, you’re watching paint. The rust on a hero vehicle, the scorch on a crashed hull, the centuries of wear on a temple wall—none of it is real. All of it had to be made real by someone at a bench, with a brush, under the scrutiny of 8K cameras that forgive nothing.
That was my discipline for over 20 years.
I led teams on productions with the largest budgets in cinema history. I painted alien worlds, historical epics, and sets built at a scale not seen since the golden age of film. On Blade Runner 2049, I art-worked all seven production spinners—executing the full paint effects, inside and out, on the police K-Spinner fleet and the breakdown of the hero limo interiors. I artworked the machines that helped define the visual identity of that film.
Every commission from this studio is executed exactly as it would have been on production: the same techniques, the same uncompromising standards, and the same hands. The only difference is the destination. Instead of a soundstage, it goes to your collection.
Everything you can see was done by hand. Not everything done by hand can be seen. — Read its story in the Journal.